Equipment hire
Studio equipment hire in Shoreditch.
Profoto flash, modifiers, continuous light, stands and backdrops. Add what you need to a dry hire booking, or hire the kit on its own.
Studio lighting and grip for hire in Shoreditch, London. Profoto flash heads, softboxes and a beauty dish, LED continuous panels, stands, booms, polyboards and Colorama backdrops. Add it to a studio booking, or hire the kit on its own.
The list
What is in the store

Flash lighting
Profoto flash heads for shoots that need clean, consistent output and the same exposure at four in the afternoon as at nine in the morning.
- 3x Profoto D1 500/500 heads
- Consistent output for fashion, portrait and ecommerce
- Suited to controlled sets and fast shoot days
Light modifiers
Shape, soften and direct the light. Enough range to cover portrait, product and editorial setups without improvising.
- 1x 7ft Octabox, Profoto
- 2x 3ft by 2ft softboxes, Profoto
- 1x beauty dish for soft portrait light


LED and continuous
Continuous light for anything you need to preview live, or for a day that runs stills and motion off the same set.
- 3x Falcon Eyes LED panels
- Adjustable output across setups
- Suited to content capture, behind the scenes and mixed shoots
Stands and support
Everything that holds, positions and raises the set, from a simple product table to a more involved lighting build.
- Boom arm for overhead positioning
- Colorama stand for seamless backdrops
- Reflectors and polyboards for fill and control


Backdrop and styling
The finishing kit that keeps a set tidy and a garment camera ready.
- Colorama backdrops in a range of colours
- Jiffy steamer and a hand held steamer
- 3x plinths, one cube and two tall
Backdrop paper is charged at £7.00 + VAT per metre if marked or damaged.
Message on WhatsApp →Not sure where to start?
Tell us what you’re shooting, and when.
We cannot say anything useful about crew, timing or price until we know a little about the shoot. Six quick questions and we will come back with the best way to help.
- Step 1
Tell us what you are shooting
Six quick questions about the work, the timing and how much of it you want us to run.
- Step 2
We come back with a number
A realistic price and approach for your actual shoot, rather than a plan you have to fit into.
- Step 3
Pick a time to talk
Fifteen minutes with the team who would run the day, at a time that suits you.
About a minute No obligation A real person replies